Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad - Jacqueline L. Tobin; Raymond G. Dobard Review & Synopsis

 Synopsis

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad.  

In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold-and as the friendship and trust between the two women grew-Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery.

Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story.

With a new afterword. Illlustrations and photographs throughout, including a full-color photo insert.

Review

When quiltmaker Ozella McDaniels told Jacqueline Tobin of the Underground Railroad Quilt Code, it sparked Tobin to place the tale within the history of the Underground Railroad. Hidden in Plain View documents Tobin and Raymond Dobard's journey of discovery, linking Ozella's stories to other forms of hidden communication from history books, codes, and songs. Each quilt, which could be laid out to air without arousing suspicion, gave slaves directions for their escape. Ozella tells Tobin how quilt patterns like the wagon wheel, log cabin, and shoofly signaled slaves how and when to prepare for their journey. Stitching and knots created maps, showing slaves the way to safety.

 The authors construct history around Ozella's story, finding evidence in cultural artifacts like slave narratives, folk songs, spirituals, documented slave codes, and children's' stories. Tobin and Dobard write that "from the time of slavery until today, secrecy was one way the black community could protect itself. If the white man didn't know what was going on, he couldn't seek reprisals." Hidden in Plain View is a multilayered and unique piece of scholarship, oral history, and cultural exploration that reveals slaves as deliberate agents in their own quest for freedom even as it shows that history can sometimes be found where you least expect it. --Amy Wan

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. 

"A groundbreaking work."--"Emerge 

In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold--and as the friendship and trust between the two women grew--Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery. 

Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story.

Hidden in Plain View

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold—and as the friendship and trust between the two women grew—Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery. Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story. With a new afterword. Illlustrations and photographs throughout, including a full-color photo insert.

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad."

Boys' Life

Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.

Two are available from the National Audubon Society , Dept. BL, 1130 Fifth Ave., New York, ... Field Guide to the Birds of Texas and Adjacent States ($4.95) and How to Know the Birds ($3.75). A Field Guide to the Birds and Field Guide to ..."

The Bloodstone Ring

In the 1840s, love between a white English noblewoman and a Jamaican is taboo. Yet Lady Carmen finds herself with child by Jake Foster. Their mocha-skinned love child, Lilly, is banished to Savannah, longing to know her birth story. Soon Lilly falls prey to Baroness Genevieve, wearer of the mysterious Bloodstone Ring. The one person she counts on, Lady Katelyn, is powerless to save her. In a tale of betrayal, kidnapping, and harrowing illegal slave trade, nine-year-old Lilly runs for her life with life-changing adventures along the way. Can God equip Katelyn and her lawyer-beau, Andrew, to withstand the dark powers of the Bloodstone Ring and the brutal intent of the evil slave trading Dutchman? Or will Lilly’s saviors arrive too late?

 Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad Authors, Jacqueline L . Tobin and Raymond G . Dobard The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved ..."

Sanford Biggers

“What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff—inside jokes, black humor—that you might have to take a while to research if you want to really get it.”—Sanford Biggers Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as “code-switching”—mixing disparate elements to create layers of meaning—to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Insightful essays survey Biggers’s career, his art in relation to music, and the history upon which the series draws. Also featured is a short yet powerful graphic essay by an award-winning illustrator that introduces the layered meanings inherent in the art and craft of quilting.

 Jacqueline L . Tobin and Raymond G . Dobard THERE ARE FIVE SQUARE KNOTS . . . Sanford Biggers, Quilt 5 (detail), 2011. The excerpt that follows is a chapter from Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad ..."

Varieties of Southern Religious History

Comprising essays written by former students of Donald G. Mathews, a distinguished historian of religion in the South, Varieties of Southern Religious History offers rich insight into the social and cultural history of the United States. Fifteen essays, edited by Regina D. Sullivan and Monte Harrell Hampton, offer fresh and insightful interpretations in the fields of U. S. religious history, women's history, and African American history from the colonial era to the twentieth century. Emerging scholars as well as established authors examine a range of topics on the cultural and social history of the South and the religious history of the United States. Essays on new topics include a consideration of Kentucky Presbyterians and their reaction to the rising pluralism of the early nineteenth century. Gerald Wilson offers an analysis of anti-Catholic bias in North Carolina during the twentieth century, and Mary Frederickson examines the rhetoric of death in contemporary correspondence. There are also reinterpretations of subjects such as late-eighteenth-century Ohio Valley missionaries Lorenzo and Peggy Dow, a recontextualization of Millerism, and new scholarship on the appeal of spiritualism in the South. Historians of U.S. women examine how individuals struggled with gender conventions in the late nineteenth and early twentieth centuries. Robert Martin and Cheryl Junk, touching on how women struggled with the gender convictions, discuss Anne Wittenmyer and Frances Bumpass, respectively, demonstrating how religious ideology both provided space for these women to move into new roles and yet limited their activities to specific realms. Emily Bingham offers a study of how her forebear Henrietta Bingham challenged gender roles in the early twentieth century. Historians of African American history offer provocative revisions of key topics. Larry Tise explores the complex religious, social, and political issues faced by late-eighteenth-century slaveholding Quakers. Monte Hampton traces the transition of the African Methodist Episcopal Church in Fayetteville, North Carolina, from a biracial congregation to an all-black church by 1835. Wayne Durrill and Thomas Mainwaring present reinterpretations of well-studied subjects: the Nat Turner rebellion and the Underground Railroad. This collection provides fresh insight into a variety of topics in honor of Donald G. Mathews and his legacy as a scholar of southern religion.

 Hidden in Plain View was published to considerable fanfare in 1999. The fanfare is understandable, given the claim of the authors, Jacqueline L . Tobin and Raymond G . Dobard , that they had learned how to decode the quilts made by ..."

Harriet Tubman

Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women. Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century. Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.

still lived in St. Catherine came to live with Aunt Harriet in Auburn and died there. .. Now about the sisters, I am a little mixed on this point. I am trying to get at the real blood kin. My mother's mother was sold south."

Encyclopedia of the Underground Railroad

Fugitive slaves were reported in the American colonies as early as the 1640s, and escapes escalated with the growth of slavery over the next 200 years. As the number of fugitives rose, the Southern states pressed for harsher legislation to prevent escapes. The Fugitive Slave Act of 1850 criminalized any assistance, active or passive, to a runaway slave—yet it only encouraged the behavior it sought to prevent. Friends of the fugitive, whose previous assistance to runaways had been somewhat haphazard, increased their efforts at organization. By the onset of the Civil War in 1861, the Underground Railroad included members, defined stops, set escape routes and a code language. From the abolitionist movement to the Zionville Baptist Missionary Church, this encyclopedia focuses on the people, ideas, events and places associated with the interrelated histories of fugitive slaves, the African American struggle for equality and the American antislavery movement. Information is drawn from primary sources such as public records, document collections, slave autobiographies and antebellum newspapers.

Siebert, Wilbur H. The Underground Railroad from Slavery to Freedom. ¡898. Reprint, New York: Russell and Russell, ¡967. Tobin , Jacqueline L ., and Raymond G . Dobard . Hidden in Plain View : A Secret Story of Quilts and the Underground ..."

Encyclopedia of Slave Resistance and Rebellion

Slaves fought against their subhuman treatment in a myriad of ways, from passive resistance to armed insurrection. This encyclopedia details how slaves struggled against their bondage, highlights key revolts, and delves into important cultural and religious ideas that nurtured and fed slaves' hunger for freedom.

many Underground Railroad historians and quilt scholars question the claims of Tobin and Dobard . ... Critique : Hidden in Plain View : The Secret Story of Quilts and the Underground Railroad " located online at http ..."

Ancestry magazine

Ancestry magazine focuses on genealogy for today’s family historian, with tips for using Ancestry.com, advice from family history experts, and success stories from genealogists across the globe. Regular features include “Found!” by Megan Smolenyak, reader-submitted heritage recipes, Howard Wolinsky’s tech-driven “NextGen,” feature articles, a timeline, how-to tips for Family Tree Maker, and insider insight to new tools and records at Ancestry.com. Ancestry magazine is published 6 times yearly by Ancestry Inc., parent company of Ancestry.com.

 Red Book : American State , County , and Town Sources, third edition Edited by Alice Eichholz, Ph.D., CG. Ancestiy, 2004. 793 pages. Hardcover. $49.95. Order at http://shops. ancestiy.com . In celebration of Red Book,'s fifteen years in ..."

The Bloomsbury Handbook to Edwidge Danticat

Edwidge Danticat's prolific body of work has established her as one of the most important voices in 21st-century literary culture. Across such novels as Breath, Eyes, Memory, Farming the Bones and short story collections such as Krik? Krak! and most recently Everything Inside, essays, and writing for children, the Haitian-American writer has throughout her oeuvre tackled important contemporary themes including racism, imperialism, anti-immigrant politics, and sexual violence. With chapters written by leading and emerging international scholars, this is the most up-to-date and in-depth reference guide to 21st-century scholarship on Edwidge Danticat's work. The Bloomsbury Handbook to Edwidge Danticat covers such topics as: · The full range of Danticat's writing from her novels and short stories to essays, life writing and writing for children and young adults. · Major interdisciplinary scholarly perspectives including from establishing fields fields of literary studies, Caribbean Studies Political Science, Latin American Studies, feminist and gender studies, African Diaspora Studies, , and emerging fields such as Environmental Studies. · Danticat's literary sources and influences from Haitian authors such as Marie Chauvet, Jacques Roumain and Jacques-Stéphen Alexis to African American authors like Zora Neale Hurston, Toni Morrison, and Caribbean American writers Audre Lorde to Paule Marshall. · Known and unknown Historical moments in experiences of slavery and imperialism, the consequence of internal and external migration, and the formation of diasporic communities The book also includes a comprehensive bibliography of Danticat's work and key works of secondary criticism, and an interview with the author, as well as and essays by Danticat herself.

In her author's note for her 2010 picture book Eight Days: A Story of Haiti , illustrated by artist Alix Delinois, Danticat expresses the power of the child's gaze, especially when we try to envision our world through their less cynical ..."

Under the Quilt of Night

When night falls, and all is quiet, a slave girl starts to run. She follows the moon into the woods, leading her loved ones away from their master. There's only one place where he might not find them, and it's under the quilt of night. Guided by the stars, they head north in the direction of freedom. At last, the girl sees a quilt -- the quilt with a center square made from deep blue fabric -- and knows it's a signal from friends on the Underground Railroad, welcoming her into their home. And so she steps forward... Deborah Hopkinson and James E. Ransome team up again, in this stunning companion to Sweet Clara and the Freedom Quilt. Ransome's rich, powerful illustrations elicit all the emotion and suspense of Hopkinson's words, in a story that's sure to make your heart race and leave you breathless.

... To Bob and Jean Cunningham— thanks for everything —J.R. Acknowledgements Special thanks to Jacqueline L . Tobin and Raymond G . Dobard , Ph.D., authors of Hidden in Plain View , A Secret Story of Quilts and the Underground Railroad ; ..."

Faithful Celebrations

• Experiential activities for celebrating the saints • For use in churches, schools, camps, and home settings Many of our experiences in life happen when several generations are together – at church, at home, in our communities. Often we only celebrate the saints on All Saints Sunday or when a particular saint is commemorated in a secular way. This volume in the Faithful Celebration series focuses on some well-known and some not-so-well-known saints, many who are not all officially "sainted" but certainly having lived a life of faith under difficult circumstances. Each event recalling a particular saint includes key ideas, a cluster of activities to experience the key ideas, materials needed, full instructions for implementation, background history and information, music, art, recipes, and prayer resources to use in a small, intimate or large multi-generational group. For children, youth, adults, or any combination of ages any of these activities can take place in any setting. Faithful Celebrations: Making Time for God with the Saints - Patrick of Ireland - Nicholas of Myra - Joan of Arc - Sebastian of Gaul - Absalom Jones of Philadelphia - Julian of Norwich - Emmegahbowh of White Earth

Joan. of. Arc. Story. Books. Telling the story of Joan of Arc to children can be complicated. ... Joan of Arc by Josephine Poole, illustrated by Angela Barrett • Joan of Arc by Diane Stanley • Joan of Arc by Demi • The Story of Joan of ..."

The South

"Originally published in Great Britain in 1990 by Serpent's Tail"--T.p. verso.

"Originally published in Great Britain in 1990 by Serpent's Tail"--T.p. verso."

The Edge of Dawn

The beautiful daughter of a prominent Michigan doctor, Narice has never strayed anywhere near the wrong side of the law. Then her father is brutally murdered—and suddenly federal agents are swarming around her like flies, making accusations about a stolen North African diamond. But before they can interrogate her, she is wrested from their grasp at gunpoint by a shadowy figure—and Narice Jordan is on the run. But is this dark, good-looking stranger who calls himself Saint her kidnapper or her savior? Narice knows nothing about any missing gem, yet there are two things she knows for certain: Only at Saint's side can she find her way to her father's killers. And she'll have to trust this dangerous, ruthless, and deadly mystery man ... if she wants to keep breathing.

One of the best books I've found on the topic is Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad , by Jacqueline L . Tobin and Raymond G . Dobard , PhD. For readers who want to share the story of these quilts ..."

Crafted Lives: Stories and Studies of African American Quilters

An authoritative account of the powerful bonds between generations of African American quiltmakers

In her 1995 autobiography , We Flew over the Bridge : The Memoirs of Faith Ringgold , Ringgold notes that a private collector gave " Tar Beach " to the Solomon R. Guggenheim Museum . According to Ringgold , legions of young patrons who ..."

"Patricia Johanson and the Re-Invention of Public Environmental Art, 1958?010 "

Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50 more years career of Patricia Johanson, an important artist in the second half of the twentieth-century. Examining the artist?s search for an "art of the real" as a member of the post-World War II New York art world, and how such pursuit has led her from painting and sculpture to public garden and environmental art, Xin Wu argues for the significance of the process of art creation, challenging the centrality of art objects. This book is an insightful study to confront a crucial question in the history of art through the work of a contemporary artist. It therefore converses with art historians and critics alike, as well as advanced readers of twentieth-century art. Following Johanson's artistic development, from its formation in the 1960s American art scene to the very present day, across the fields of art, architecture, garden, civil engineering and environmental aesthetics, it investigates the process of creation in a transdisciplinary perspective, and reveals a view of art as a domain of exploration of key issues for the contemporary world. The artist's concept of nature is highlighted, and particular impacts of Chinese aesthetics and thought unveiled. Based on extensive analysis of unpublished private archives, Xin Wu offers us the first ever comprehensive scholarly interpretation of Patricia Johanson's oeuvre, including drawings, paintings, sculptures, installations, garden proposals, and built and unbuilt projects in the United States, Brazil, Kenya, and Korea.

9 For information on the public history movement in America, see Stanton, ibid., pp. ... 15 Jacqueline L . Tobin and Raymond G . Dobard , Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad (New York: Anchor Books, ..."

Divergent Visions, Contested Spaces

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... times of travel, maps (particularly the use of the North Star), etc. For example, Jacqueline L . Tobin and Raymond G . Dobard's highly speculative work, Hidden in Plain View : A Secret History of Quilts and the Underground Railroad ..."

The African American Religious Experience in America

A close look at the religious landscape of African American communities presents a layered religious reality comprising many faiths and practices. This work provides an introduction to this religious diversity of African American communities in the United States, with "snapshots" of 11 religious traditions practiced by African Americans.

Cited in Maude Southwell Wahlman , " A Foreword , " in Jacqueline L . Tobin and Raymond G . Dobard , Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad ( New York : Anchor Books , 2000 ) , 8-9 ."

Writing African American Women: K-Z

"Contributors look at the writers and their works from a feminist-womanist perspective, and address issues relating to race, class, and gender. Topical entries, e.g., "Work," "Protest Tradition," "Religion," "The Use of Myth," and "Memory," provide a rich context for the literature."--Choice review.

The history of African American feminist literature spans approximately only 250 years , yet a majority of black female writers express a common thematic concern : the struggle of black women to seek dignity and freedom in a racist and ..."

Who Owns Culture?

It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

Holland Cotter, “ Quilts That Hew to Discipline Even as They Dazzle,” New York Times,July 9,1999. 9. Jacqueline L . Tobin and Raymond G . Dobard , Hidden in Plain View :The Secret Story of Quilts and the Underground Railroad (New York: ..."

African Roots/American Cultures

This multidisciplinary volume highlights the African presence throughout the Americas, and African and African Diasporan contributions to the material and cultural life of all of the Americas, and of all Americans. It includes articles from leading scholars and from cultural leaders from both well-known and little-known African Diasporan communities. Privileging African Diasporan voices, it offers new perspectives, data, and interpretations that challenge prevailing understandings of the Americas. Visit our website for sample chapters!

 Jacqueline L . Tobin and Raymond G . Dobard's Hidden in Plain View : The Secret Story of Quilts and the Underground Railroad ( New York : Doubleday , 1999 ) is the provocative title of a re- cent study concerning ways in which U.S. ..."

Success with Reading

All students love learning history with these exciting, easy-to-read plays. The plays are all written on a 3rd grade reading level, so even your most challenged readers will be successful. Topics covered include Columbus’s explorations, Jamestown, the Pilgrims, the Boston Tea Party, the Underground Railroad, the Civil War, Immigration, and more. Also includes creative activities, Web and literature links, background information, and vocabulary lists. For use with Grades 4-8.

Share examples with students from the adult trade book Hidden in Plain Sight : A Secret Story of Quilts and the Underground Railroad by Jacqueline L . Tobin and Raymond G . Dobard , Ph.D. ( Bantam Doubleday Dell , 2000 ) or in the chil- ..."

The Underground Railroad: A Reference Guide

Full of true stories more dramatic than any fiction, The Underground Railroad: A Reference Guide offers a fresh, revealing look at the efforts of hundreds of dedicated persons—white and black, men and women, from all walks of life—to help slave fugitives find freedom in the decades leading up to the Civil War. • Original documents, from key legislation like The Fugitive Slave Act of 1850 to first-person narratives of escaping slaves • Biographical sketches of key figures involved in the Underground Railroad, including Levi Coffin, William Lloyd Garrison, Robert Purvis, and Mary Ann Shadd

The strongest brief for the quilt thesis is Jacqueline L . Tobin and Raymond G . Dobard , Hidden in Plain View : A Secret Story of Quilts and the Underground Railroad (New York: Doubleday, 1999). Xenia E. Cord offers an alternative view in ..."